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The Details
Venue: The Phantom Projects Theatre at La Habra Depot
311 South Euclid Street, La Habra, CA 90631
Length: Approx 1 hour and 45 mins (plus a 15 minute intermission)
Genre: Drama/Comedy
Age Recommendation: 16 and up. Children under 10 will not be admitted to the theatre. All patrons must have a ticket. This production contains mature themes and language.

MEET GABRIELA MACHUCA (ANA)
What does this story mean to you/Do you have any personal connection to the story or characters?
“Real Women Have Curves” is a Chicanx classic, so I am honored to be a part of this production. As the daughter of immigrants, I love stories that wholly humanize what it means to be an immigrant. This play is fun, but definitely packs a heartfelt punch.
Are you like your character? If so, why? If not, is there another character in the show you relate to?
Yes and no! Teenage me was more like Ana, and though I am still highly opinionated, I am less outspoken. I also took in the cultural and generational differences between me and the older women in my life with more stride at a young age, only poking and prodding at them when I was truly angry VS Ana showcasing her defiance consistently.
Why do you feel audiences will enjoy this show?
It’s funny, it’s hearty, it’s SO. REAL. This play really captures the cattiness, humor, and love among gaggles of *chismosas (for non-Spanish speakers, *gossipers). For anyone who has struggled with being undocumented, it is relatable, but not unpalatable. At it’s core, the raw humanity of this play is ever present.
What’s your experience been like, so far, working on this show?
I love my cast and team! We all have really come together and are committed to making this the best show we can.
Any other comments, or thoughts you want to share for readers?
As Ana would say, “DAAAAAAANG!”
What do you hope audiences will take away after watching the show?
I hope that audiences laugh, are touched by the relationship dynamics, but most of all, feel empowered. In community, we need each other, we are stronger together. As individuals, we have to like [love] ourselves for all our curves (or lack of!) and mind.

MEET MARIA DE LA GHETTO (ESTELA)
What does this story mean to you/Do you have any personal connection to the story or characters?
I relate so much to Estela, from her immigrant mother to pursuing goals for herself, and even to her struggle with self love and trying to date. She’s a strong woman but wants to show her soft girl side.
Are you like your character? If so, why? If not, is there another character in the show you relate to?
In so many ways. We have a similar upbringing and very similar struggles. We’re the eldest daughters and with that come certain expectations that we don’t always feel the need to live up to.
Why do you feel audiences will enjoy this show?
First, because it’s hilarious. But even in the comedy, there is truth and sadness that many people will relate to. Comedy is one of the universal ways many of us cope with and process trauma, especially in the Latine communities.
What’s your experience been like, so far, working on this show?
It’s been wonderful. I’ve never been so vulnerable with a group of people so quickly and so comfortably. It’s been truly cathartic.
Any other comments, or thoughts you want to share for readers?
I know you will enjoy the show, no matter what walk of life you come from. I know all women in general will be able to relate.
What do you hope audiences will take away after watching the show?
To be kind to yourself and everyone else.

MEET LIZA A. RIOS (CARMEN)
What does this story mean to you/Do you have any personal connection to the story or characters?
As I have explored the themes and character of Carmen, at times I have seen my life flashing before me, recalling the very strong and opinionated women who raised me. It is both an honor and privilege to be able to share these real histories of Latina women and the multi layered experiences they have endured. I am a first generation, Latina, – American, who had a fierce grandmother who left Puerto Rico and her children temporarily in order to start a life in New York working as a seamstress. My Grandma Rios was like a second mother to me, we were very close. In fact, my sister and I were the only ones of her 15 grandchildren who could speak Spanish. We were able to hear her stories and the stories of her mother and other tales of older generations. My time spent with my grandmother is one of the greatest gifts, and I hope in someway, that this play honors her and her sacrifice which served to benefit future generations, meaning me, and all of our future offspring.
Are you like your character? If so, why? If not, is there another character in the show you relate to?
Well, like Carmen, I certainly enjoy cooking and showing love with food, so I hope that my dishes taste a lot better than her green mole! There are times that I stand firm in my beliefs, and have shared strong opinions, depending on the topic or situation. However, unlike Carmen, I would never shame or degrade my daughter or nieces or any other human beings regarding their bodies. I can relate to Ana as far as being a first generation college student and breaking away from traditions in my family in the areas of religion and political affiliation.
I certainly have had my Rosalie moments of wanting to be a size 2, and struggling with body image. In general, from the time we are little girls, in the Latina culture , we are reminded to have as a high-priority the perfect body. I have always struggled with this and I admire the younger generations who do a better job at self-love and acceptance, prioritizing character, and integrity over the exterior.
Why do you feel audiences will enjoy this show?
Audiences will enjoy the story because we express the stories with a mix of emotions, including humor and drama. These five women are real, and the audience gets a chance to witness their vulnerability – both as the characters we are playing and as the actresses on stage, raw with, our true selves. Although the story was originally written in 1990, the sense of urgency when it comes to immigration and the current heated political climate, is very relevant. Living in Southern California, especially, we are telling the stories of our neighbors, those who are in our community and who play important roles in our society. We need to do better in extending grace, compassion, and elevated humanity.
What’s your experience been like, so far, working on this show?
I’m so very grateful for the safe space our Director Guadalupe has created for us. In telling our true stories, we have developed our individual characters often times making discoveries and realizations, adding to the depth of the messages and moments we are wanting to express. I have definitely enjoyed cultivating and putting this character of Carmen together, contemplating moments, actions, and motivations. It’s also been fun creating her look which reminds me of some of those Latina women I mentioned who were my elders. From a technical standpoint,
It’s been over 10 years since I have been in a straight play and not a musical so this, play & the amount of dialogue has definitely been a challenge, but one that I wholeheartedly embrace and enjoy. I get to share the stage with 4 other women who share the same passion for the story and the truth from which it came from.
What do you hope audiences will take away after watching the show?
I hope that our audiences will have an elevated & newfound respect for the strength and sacrifice Latina women have given for decades. Think before speaking and refrain from shaming or criticizing someone for their looks. Instead, encourage and offer support and love with words and thoughtful actions. Aim to be kind and show empathy, and be grateful if you happen to be born on the north side of the border. Some of us Are here out of luck or blood sweat tears sacrificed by our ancestors. See the good in people and don’t assume that your story or another person’s story are identical. Celebrate diversity and use your privilege to empower others.

MEET MIRANDA ROMERO (PANCHA)
What does this story mean to you/Do you have any personal connection to the story or characters?
This story depicted of different women with different perspectives and personalities, along with similar insecurities colliding together showcases what women face today. It is a powerful reminder how strong we are to be Latina!
Are you like your character? If so, why? If not, is there another character in the show you relate to?
I relate to Pancha as she is strong on the outside, but deep down, she is fighting battles no one can see, which makes her extremely sensitive. This produces a kind of hardness that you give to the world when you don’t trust being vulnerable with others.
Why do you feel audiences will enjoy this show?
This show is one that can relate to any generation. You will find yourself in one of the characters on stage. If not, you will find yourself changing your perspective and being open to seeing things from a different viewpoint.
What’s your experience been like, so far, working on this show?
Working on the show of Real Women Have Curves has been an incredible blessing! The women are phenomenally talented and have such an infectious energy to be around. I am so proud to have been part of such a remarkable experience!
Any other comments, or thoughts you want to share for readers?
Come and support Real Women Have Curves production while we display body positivity, discuss culture and showcase the beauty of women!
What do you hope audiences will take away after watching the show?
I hope the audience will take away from this incredible show inspiration with new perspectives and the importance of being true to yourself and loving yourself the way you were made, curves and all!

MEET ELIZABETH SALAZAR (ROSALI)
What does this story mean to you/Do you have any personal connection to the story or characters?
This story demands to be told—it’s bold, compelling and powerful. I’m drawn to projects that carry meaningful messages, and as a first-generation Mexican American, this one feels especially personal. Growing up with immigrant parents shaped my resilience and determination. It wasn’t easy, and it made me who I am today. I also struggled with anorexia in my early teens, which makes Rosalí’s journey toward self-acceptance, with the support of the women around her, all the more significant to me. Telling her story isn’t just important—it’s necessary.
Are you like your character? If so, why? If not, is there another character in the show you relate to?
I am not like my character at all, which gives me more motivation to portray her as I take on this challenge. I’m outspoken and unafraid to share my opinions. In my family, I’m considered the rebel for following my dreams. I moved away from home in my early 20s to pursue a career in acting. I’m also seen as the odd one out for being married and childless by choice. Because of this, I feel a stronger connection to Ana and Estela, as they have found their passions and are continuously pursuing them, just like me.
Why do you feel audiences will enjoy this show?
I believe audiences will enjoy “Real Women Have Curves” because of its relevance to today’s societal issues. The play beautifully contrasts old feminism with new feminism, highlighting the evolving roles of women, especially within minority communities. It sheds light on the immigrant experience in America, portraying the challenges faced by both documented and undocumented workers, and the struggles that minorities endure in a system that often overlooks them.
What’s your experience been like, so far, working on this show?
My experience thus far has been phenomenal! Everyone brings in different perspectives, life experiences, and ideas. The director has a clear vision whilst providing a safe space for collaborative work.
Any other comments, or thoughts you want to share for readers?
This play is a must watch!
What do you hope audiences will take away after watching the show?
A great takeaway from watching this show would be the importance of pursuing your dreams and recognizing the beauty that comes with understanding and embracing your self-worth.
